Sunday, June 24, 2012

Israel Matzav: Soccer Dad's Middle East Media Sampler

Soccer Dad's Middle East Media Sampler

Shavua tov v'chodesh tov, a good week and a good month to everyone.

Here's Soccer Dad's Middle East Media Sampler for Friday, June 22.

1) The anatomy of coverage of Israel

There were recently two articles in the New York Times. One was in an opinion section called "Latitudes." The other was in the news section. Despite the different editorial locations, comparing the two articles can serve as an exercise to see how a newspaper's reporting can distort perceptions.

The article appearing in the Latitudes section, Bangladesh?s Right of Refusal by Dan Morrison, tells of the plight of the Rohingyas, an ethnic group fleeing persecution in Myanmar. Morrison writes:

Bangladesh?s refusal to help these desperate families is, despite its claims to the contrary, a likely violation of its international obligations.
It?s also entirely reasonable.
...
Bangladeshi officials might serve their case better by condemning the violence while pointing out that Bangladesh is among the world?s poorest and most densely populated countries, that in 1978 and 1991 it sheltered Rohingyas fleeing ethnic cleansing in Myanmar and that as it struggles to meet the aspirations of its 160 million citizens, it cannot consider another ?temporary? influx of refugees.
Note Morrison's judgment, that Bangladesh's decision to turn away refugees is "reasonable."

The article in the news section, Crackdown on Migrants Tugs at Soul of Israelis was reported by Isabel Kershner. In the middle of the article Kershner notes:

For now, most of the immigrants and asylum seekers ? about 50,000 ? cannot be deported, in line with international conventions. They come from Sudan and Eritrea, countries considered too dangerous for their repatriation, and so they are afforded temporary collective protection in Israel. That protection was recently lifted for immigrants from South Sudan. On June 7, a Jerusalem court ruled that it was safe enough to repatriate them to South Sudan, a newly independent nation that has diplomatic ties with Israel.
This is saying that, unlike Bangladesh, Israel does conform to its international obligations regarding refugees, yet here are the fourth and fifth paragraphs:
But the government clampdown is also ripping at Israel?s soul. For some, the connotations of roundups and the prospect of mass detentions cut too close to the bone.
?I feel I am in a movie in Germany, circa 1933 or 1936,? said Orly Feldheim, 46, a daughter of Holocaust survivors, as she doled out food last week to a long line of immigrants in the neighborhood?s Levinsky Park.
This is how Kershner sets the tone for the article. (The headline writer, no doubt, understood how compelling this could be and included "soul," making sure that no one would ignore these paragraphs.) She's not writing that Israel has higher standards and is, perhaps, not meeting those standards. She's writing that Israel's failure to meet her standards, makes it comparable to Nazi Germany. Of course, Kershner would say that it's not her view but the view of the woman she quoted.

The problem is that Ms.Feldheim isn't just a random resident, a Google search reveals that she runs a soup kitchen for African refugees. There is nothing wrong with that; in fact it's admirable. But it also means that she isn't exactly a detached observer. Activists often exaggerate crises. Kershner, I'm sure, knew more about Feldheim than she reported and probably knew what kind of quote she would get.

Kershner cites two more criticisms. First she writes:

People can apply for refugee status, but priority is given to those not covered by collective protection, said Sabine Haddad, a spokeswoman for the Interior Ministry?s Population, Immigration and Border Authority. The approval rate is negligible. Since 2009, out of 7,000 applications, 16 people were granted refugee status or asylum.
Critics say that Israel, a nation largely founded by refugees, lacks a proper immigration policy.
?We say: ?Be fair, we are Jews. Decide who is or isn?t a refugee,? ? said Iftah Cohen, a lawyer working for We Are Refugees, an Israeli organization that provides free legal aid to asylum seekers threatened with deportation.
Towards the end she also mentions:
Some Israelis invoke the biblical injunction to ?love the stranger for we were strangers in the land of Egypt.? Others say they now feel like strangers in their own country.
Even if someone rejects the noxious comparison to Nazi Germany, the reference to Israel's being a haven for Jews escaping persecution and the Bible suggest that Israel's failure to deal with the refugees adequately is nothing less than a violation of its founding principles.

In fact refugees are a problem all over. Little in the article suggests that Israel's handling of them is unusuallly bad or inhumane, except that activists involved in helping refugees claim that it is. And that is the impression the reporter leaves us with. No doubt in the future she can write about the refugees again and refer to Israel's "highly criticized" or "controversial" policies now that she's laid the groundwork.

2) The Palace coup and the aftermath

Earlier this week, Daniel Pipes wrote (h/t Daled Amos)

Some of us, of course, have been saying precisely this for almost 1? years, from even before Husni Mubarak's resignation. Mubarak had displeased the generals, especially his efforts to found a dynasty, and they took advantage of the Tahrir Square demonstrations to bounce him. Simple, no?
...The starry-eyed quality of press reporting on the Middle East upheavals, symbolized by the silly term "Arab spring," meant that most Westerners have been clueless about developments in the region.
Now that Egypt's Supreme Constitutional Court has disqualified a significant portion of the legislature, what's next.

Michael Rubin, in In Egypt, a rare second chance for US to support democracy, writes first of the electoral miscalculations made by the Muslim Brotherhood:

Egyptians had voted for Islamists initially not because they uniformly shared the groups' agenda, but rather because the Islamist parties?with financial support from Saudi Arabia, Qatar, and Turkey?ran swank, well-organized campaigns which cashed in on decades of populism.
While in opposition, the Brotherhood could promise Egyptians the world: If empowered, the Brotherhood would end corruption and nepotism, implement effective government services, raise salaries, guarantee housing and provide jobs, and restore social justice. Putting a chicken in every pot, however, takes not only money but also chickens and pots. The Brotherhood not only could not deliver but, increasingly, it looked like it did not care even to try. It dispensed with the moderate, English-speaking interlocutors who had charmed Western journalists in Tahrir Square, and cast its lot with intolerant, backroom religious conservatives.
Later, Rubin concludes:
With the Muslim Brotherhood demonstrating disdain for democratic values, and Shafik little more than a throwback to a moribund dictatorship, President Obama has an opportunity to implement a true freedom agenda. Speaking in Cairo three years ago this month, Obama warned, "Elections alone do not make true democracy," and called on governments to maintain consent and eschew coercion, respect minorities, embrace tolerance and compromise, and put the public's interests first.
Egypt is at a crossroads. One path leads to civil chaos and another leads to dictatorship. As both sides delegitimize themselves, however, Obama has a rare opportunity to pick up where Bush left off, and support the growth of new movements which embrace the values of Tahrir Square's original protestors.
This is, of course, ideal. But is it possible? Do the "new movements" have the critical mass necessary to effect change in Egypt? Or might it be necessary embrace the less bad choice for now and bide time until the real reformers can compete? Barry Rubin has observed that Shafiq actually sounded rather moderate during the campaign.

Dore Gold cites another reason to be wary of the Muslim Brotherhood (h/t Elder of Ziyon)

Without relating to the Muslim Brotherhood, spokesmen for the U.S. State Department and the Pentagon decided to press the Egyptian Army to relinquish the governing role it is seeking to carve out for itself. But what if Morsi is declared the victor? Wouldn't it make more sense to allow the balance of powers between these institutions to evolve by themselves, with no external involvement? For decades, the Turkish Armed Forces were the guardians of Ataturk's legacy in Turkey, until the rise of Erdogan.
Nevertheless, according to the Los Angeles Times, U.S. officials said on Monday that they were "deeply concerned by an Egyptian military decree giving the generals sweeping powers to pass laws and decide whether to go to war." This was a stunning statement, considering that the Muslim Brotherhood might still emerge as the winner. Right now, given the ideology of the Muslim Brotherhood and its ties to its Palestinian branch, Hamas, leaving Egypt's war-making powers with the Egyptian military is far safer for the world than transferring them to a Muslim Brotherhood government.
For now Egypt's military establishment has flexed its muscle twice. First they forced Mubarak out. Now they are limiting the political change that has occurred since Mubarak's downfall. Though this may not be the best result of the foment, it's possible that this isn't the worst possible outcome either.

Labels: Egyptian democracy, Hosni Mubarak, illegal immigration, Middle East Media Sampler, Muslim Brotherhood, New York Times, Soccer Dad

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Thursday, June 21, 2012

Kenyan fuel marketer KenolKobil issues profit warning

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Wednesday, June 20, 2012

Video: Stocks Seesaw After Fed Announcement

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Hong Kong's inequality widens, official figures show

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Tuesday, June 19, 2012

Justin Bieber Unplugs, Opens Up During 'Bieber Live'

'I work hard, and music is really important to me,' JB tells 100 lucky fans during MTV News special celebrating the release of Believe.
By Kara Warner, with reporting by Sway Calloway


Justin Bieber performs during "Bieber Live"
Photo:

Justin Bieber's presence in our Times Square studio for the 30-minute special "Bieber Live" was cause for celebration, expertly timed with the release of his new album, Believe, which arrived in stores today.

Bieber kicked off the MTV News special with a stripped-down performance of "Die in Your Arms," which, in addition, to inducing frenzied screams from the 100 lucky fans in the audience, set the tone for an insightful and lighthearted look into how much of himself Bieber put into the new album.

Speaking to his inspiration for the dance track "All Around the World," featuring Ludacris, Bieber said he was introduced to more and more dance music throughout his world travels and wanted to be able to showcase it in some way on Believe.

"I wanted to incorporate it somewhat into my music and not overly use it," he said. "But I felt like 'All Around the World' has that melodic feel to it, but also that dance feel, so I felt that was the perfect song for me."

Bieber said he is grateful Ludacris was able to contribute to another one of his songs.

"To reunite with him was awesome," Bieber said of Ludacris. "All my fans now love Luda because of 'Baby,' so having him back on this song was great. I'm taller than him now," he added with a smile.

The 18-year-old was also happy to surprise the audience with two special gifts: a copy of Believe and a bottle of his new fragrance, Girlfriend, which he described as being "not too fruity, nice and flowery."

"I told them they have to smell like all of my fans," Bieber said of what he wanted the perfume manufacturers to incorporate in the fragrance. "Not too fruity, nice and flowery. There's a cherry scent in there. In each bottle of Girlfriend, there's a little bit of my sweat, it's a secret ingredient," he joked.

In closing, Bieber thanked his devoted fans, but also offered up a message to those who aren't yet fans or haven't given him a chance.

"I was very involved in the process [of making this album] — I played instruments, produced, wrote — so I want people to know it's not all hype," he said. "I want people to know I've been working hard on my music. Focus on the music. Don't think I'm just this product pushed out there. I work hard, and music is really important to me. I see a lot of hate online, which is inevitable, but at the end of the day, I'm just trying to prove them wrong by making good music."

Stick with MTV News all week as we roll out more from our exclusive "Bieber Live" interview!

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Lima's unlikely superhero

In this photo taken June 13, 2012, Avelino Chavez, wearing his signature Superman costume, waves and greets riot police walking in formation toward a plaza where a protest is expected to take place in downtown Lima, Peru. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. Chavez currently works to promote a travel agency. (AP Photo/Martin Mejia)

In this photo taken June 13, 2012, Avelino Chavez, wearing his signature Superman costume, waves and greets riot police walking in formation toward a plaza where a protest is expected to take place in downtown Lima, Peru. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. Chavez currently works to promote a travel agency. (AP Photo/Martin Mejia)

In this photo taken June 14, 2012, Avelino Chavez, wearing his signature Superman costume, combs his hair at his home in Lima, Peru. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. (AP Photo/Martin Mejia)

In this photo taken June 14, 2012, Avelino Chavez, wearing his signature Superman costume, poses for pictures with tourists in downtown Lima, Peru. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. Chavez currently works to promote a travel agency. (AP Photo/Martin Mejia)

In this photo taken June 14, 2012, Avelino Chavez, wearing his signature Superman costume, combs his hair at his home in Lima, Peru. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. Chavez currently works to promote a travel agency. (AP Photo/Martin Mejia)

Avelino Chavez, wearing his signature Superman costume, talks with tourist police in the main square in downtown Lima, Peru, Friday, June 15, 2012. Chavez, 52, took on the Superman persona 15 years ago, when he lost his job as a security guard, and says he has had work ever since. Chavez also says he only earns about $160 US dollars per month, but that he has the strength of a superhero. Chavez currently works to promote a travel agency. (AP Photo/Martin Mejia)

LIMA, Peru (AP) ? It's not easy being Superman.

It only earns about $160 a month for Avelino Chavez, who dresses up daily as the caped hero.

But oh, the adventures!

The 52-year-old Chavez can't fly but does seem to be everywhere in Lima: at political rallies and speeches, at a wedding shoot for Peru's famed opera tenor Juan Diego Florez, hawking tours and flights on behalf of a travel agency in the central Plaza de Armas.

"Hola Superman!" people shout to him.

"Hola, Superamigo!" he'll shout back.

Chavez became a superhero 15 years ago after a failed go at bullfighting and jobs as a craftsman, laboratory worker and brothel security guard.

"I lost my job but realized that I could be Superman. I went to the store and bought a blue shirt and a cousin of mine who is a seamstress sewed the cape, the boots, the belt and the red tights," he told The Associated Press.

He hasn't lacked for work since.

One political party even asked him to run for Congress a decade ago. He agreed, but didn't win the seat.

Chavez says he tries to "maintain order in the city." In 2002, he says, he recovered a purse stolen from a woman by a thief..

"My Kryptonite is my security," he says, referring to the fictional element that is a weakness of the comic book character whose identity he's fused with his own.

As a younger man, Chavez said he sometimes dressed as Carlos Gardel, the Argentine crooner whose tangos "cut to the soul" or wore a beret that made him feel like the revolutionary Ernesto "Che" Guevara.

But Superman proved the ticket to steady work.

Single and childless, Chavez lives in a rented apartment in a poor neighborhood in Lima's center.

He says he doesn't have a girlfriend.

"But when I get a girlfriend I would like to make love on the moon."

__

Associated Press photographer Martin Mejia contributed to this report.

Associated Press

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DarwinTunes software 'evolves' music without composers

Composers, look to your laurels: A mere computer program can transform a racket of clangs, hums and beeps into a pleasing melody, and all humans have to do is offer feedback with the click of a mouse.

The program, by a British bioinformatics expert whose day job involves tackling biomedical problems, employs the same principles of natural selection that guide the evolution of living beings over many generations. The software ? dubbed DarwinTunes, of course ? creates 8-second collections of notes and puts them through the evolutionary wringer.

All the tunes have certain fixed traits: the same four-beats-per-measure tempo and tones from the Western 12-tone musical scale.

But other traits vary. Any note or instrument can be played at any given point at any volume and with any special effect. The result is a huge number of possible sound experiences, from the intolerable to the sublime.

Robert MacCallum of Imperial College London and his colleagues asked 120 undergraduates to listen to continuous loops of the computer-generated tunes and rate them on a 5-point scale that ranged from "I can't stand it" to "I love it." The tunes were also posted on the Web (at darwintunes.org/evolve-music), where anonymous critics added their feedback.

Each time tunes were rated, the half that came out on top were selected to contribute to the next generation of music. Each successful melody would mate with another successful melody, spawning similar-but-not-identical daughters before expiring from the collection.

Tunes that didn't make the cut were relegated to the evolutionary trash heap without leaving behind any musical legacy.

"All that matters is that some loops are better than others ? that some are slightly less of a racket," said MacCallum, who has a long-standing interest in both music and computers. "I'm pretty sure that the painful screechy loops were eliminated first."

The process is slow, "a bit like listening to paint dry," he added.

But as the undergraduate experiment went through its 400 generations and the online experiment 2,500 generations, pleasing melodies began to emerge, MacCallum's team reported Monday in the journal Proceedings of the National Academy of Sciences. MacCallum noticed two main traits that the raters had apparently selected: more chords and more complex rhythms.

Past a certain point, though, the tunes in both experiments stopped evolving ? the daughter tunes are less well liked than their parents, leaving the music stranded on an evolutionary plateau, the scientists wrote.

The approach, known as evolutionary computation, has been used to tackle a broad array of problems in such fields as theoretical biology, engineering and medicine ? be it the compact design of a satellite antenna or development of a drug that will precisely lock onto its target.

In the realm of music, MacCallum said he didn't think human composers should feel threatened by DarwinTunes.

"It took 10 1/2 days of human time to create a four-bar Steve Reichian jingle," he said.

Still, the study offers interesting insights into how music has evolved through time, he said. Scientists know that there are rules for what constitutes a pleasing sound, some of which are culturally driven and some of which may be hard-wired in our brains. The results of this experiment suggest that listeners aren't just passive consumers but play a highly influential role in music's evolution.

This is not exactly a surprise, said composer David Cope, a professor emeritus of music at UC Santa Cruz who wasn't involved in MacCallum's study. Cope has created computer algorithms to analyze patterns of phrase and note choice in works by Bach, Beethoven and Chopin and used the rules to spawn "new" works by these long-dead masters. Others have written programs to compose jazz solos or predict hit tunes.

"Composers, like everyone else in the world, no matter how individualistic or unique they think they are, are influenced by everything around them," Cope said. "There's no way a composer can attend a premier of their work and not be affected by a standing ovation or very spotty applause."

Sometimes the influence can be negative, Cope added: Claude Debussy, for example, disliked Richard Wagner's music and produced "a radically new style" through a deliberate attempt to compose along different lines.

The study shows that people "can discern the little things they like about music even in the context of a lot of extraneous sounds," said MIT computational musicologist Michael Scott Cuthbert, who wasn't involved in the research. "But what they don't prove is why music today has changed from the popular music of the past. It doesn't show how changing tastes result in changing music and it doesn't give us a hint of what the future holds for music."

rosie.mestel@latimes.com

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